It doesn't seem all that long ago that Rega stopped making the P2 and apparently handed this sector of the market to other brands. It didn't leave the sector entirely, as it actually makes Goldring's GR2. But Rega's dealers obviously missed the company's classic budget deck, and now it's back in revised form.
The new P2 has an unusually deep 22mm platter that sits only a couple of millimetres off the plinth, its sloping sides making it look pretty substantial. This extra mass means a stronger flywheel effect and thus a more even speed with reduced flutter, and this translates into lower distortion. While the GR2 attempts the same trick with a steel ring set into the underside of a slimmer platter, Rega's approach is perhaps more attractive.
The P2 shares the GR2's plinth, with its big on/off switch and simple, solid construction. If memory serves, the new melamine-finished plinth with PVC edging isn't quite as nice as its painted predecessor, but then again, the current option
Click to enlarge |
may prove more hard-wearing.
The tonearm is Rega's evergreen RB250, still the finest budget arm on the market, with its one-piece casting from headshell to bearing. It's very easy to use thanks to the big finger lift, as well as the deck's unsprung plinth. Our P2 sample was supplied with Rega's Bias 2 moving-magnet cartridge, but makes the turntable a lot more consumer-friendly. The Bias 2 is the base model in Rega's range, but features the same solid body as the dearest MM, albeit without a third fixing point.
Sound Quality
With only rubber feet for isolation, the P2 is as sensitive to its supporting surface as ever, something that's true of pretty well all solid-plinth turntables to some degree. It delivers much of its characteristically energetic and propulsive sound on a standard equipment support, but using one with decent isolation brings significant rewards in terms of image scale, bass weight and distortion. Try using a wall bracket and/or keep the turntable as far from the floor and speakers as you can.
